¡‘²‹Æ¶‚̋ߋµ
–
Works Consulted‚ÌŽÀ—áA‚¨‚æ‚ÑA
Works Consulted‚̉ðà
¡‘²‹Æ˜_•¶
lŠÔŽÐ‰ïŠw•”Œ¾Œê•¶‰»Šw‰È‰p•ÄŒ¾Œê•¶‰»ƒR[ƒX
•½¬21”N“x
‘å“cˆºŽqFFaulkner's
A Fable
ìú±—L‹IŽqFPaul Auster's
The New York Trilogy
²’|—I”TFCynthia Kadohata's
The Floating World
“Œ]‚³‚‚çF Jhumpa Lahiri's Novel and Short
Stories
”óŒû—DFJames's
The Turn of the Screw
¼–{…Ž÷FFitzgerald's Short Stories
ˆÀ“c—R‹MŽqFTwain's
The Tragedy of Pudd'nhead Wilson
˜a“c‰ÄŠCFSalinger's
The Cathcer in the Rye
•½¬20”N“x
‘å–k‰À“ÞF Jhumpa Lahiri's Novel and Short Stories
Š™“c–ƒ”üŽqF
The Color Purple
–Ø“cˆ¤ŽqF
The Wonderful Wizard of Oz
–ØŒ³ŠóF Hemingway's "The Short Happy Life
of Francis Macomber"
‹ž‹ÉÊ”TF
A Streetcar Named Desire
•ì³’F
Sister Carrie
–…”ö^“ÞF
The Color Purple
‚‹´–žŠìF
The Bluest Eye
‹Ê’u‘å•ãF
The Sound and the Fury
ª—ˆ–ƒˆßF Jhumpa Lahiri's Novel and Short Stories
–쑺”ü‹IŽqF Fitzgerald and the Representaion of Women
•Ÿ¼¹‹IF The Snopses in Faulkner's Novels
“¡Œ´•üŽqF
The Scarlet Letter
“ì–ì–¾ŒŽF
The Grass Harp and
Breakfast at Tiffany's
X‰ª‰Ä‘ãF Intertextuality in "Where I'm Calling
From"--Carver, London, and Murakami
ŽR“àŒb—œ“ÞF
The Portrait of a Lady
ŽR–ì—LF
The Bluest Eye
‘‡‰ÈŠw•”‘‡Œ¾Œê•¶‰»Šw‰È
•½¬19”N“x
@“ì‰À—t@uNella Larsen‚Ì
PassingŒ¤‹†v
@—އ•Û“¿@u•–ž“O‚Æu¢ŠEv||¼—m‚Æ“Œ—mA‚ ‚é‚¢‚ÍŽ©ŒÈ‚Æ‘¼ŽÒ||v
@“c’†²’m@u
Do the Right Thing‚É‚¨‚¯‚é‘Η§‚ÌŒ¤‹†v
@¼Œ´Œ’@u“ú–{‚É‚¨‚¯‚éƒ}ƒNƒhƒiƒ‹ƒhŽó—eŽjv
@X‰º—Á‘¾@uì•iŒ¤‹†w˜Vl‚ÆŠCx||˜Vl‚Ì“®•¨‚ւ̈ӎ¯‚©‚猩‚é˜Vl‚ÌS—•ªÍ||v
@ŽR–{˜aŽi@uƒXƒ^ƒ“ƒŠ[EƒLƒ…[ƒuƒŠƒbƒNì•iŒ¤‹†||Œ´ì‚Ƃ̔äŠr‚Å•‚‚©‚Ñオ‚éu‰~ŠÒv\‘¢||v
•½¬18”N“x
@Š–{‰¥Žj@uƒAƒƒŠƒJ‚Ì‘½•¶‰»‹³ˆç‚ɂ‚¢‚Ä||ƒAƒtƒŠƒJ’†SŽå‹`‹³ˆç‚Æ“ñŒ¾Œê‹³ˆç‚ð’†S‚É||v
@ó”öŠxŽj@uwƒ[ƒhEƒIƒuEƒUEƒŠƒ“ƒOxŒ¤‹†v
@‹v•Û—z•½@uƒAƒƒŠƒJ‰f‰æ‚É‚¨‚¯‚ég‘ÌáŠQŽÒ‚Ì•\Ûv
@ˆäã•ä@uŒ»‘ãƒ|ƒsƒ…ƒ‰[‰¹Šy‚É‚¨‚¯‚éuì•iv‚Ƃ͉½‚©v
@‹àŽq‚ä‚Ý@u
The Color PurpleŒ¤‹†||ƒtƒFƒ~ƒjƒYƒ€‚ÌŠÏ“_‚©‚ç||v
@—Ñ”ü‹I@uƒhƒ‰ƒ}w‚d‚qx‚É‚¨‚¯‚éƒ}ƒCƒmƒŠƒeƒB[•\Œ»Œ¤‹†v
@‘º“cˆ»Žq@uƒAƒƒŠƒJ‰f‰æ‚É‚¨‚¯‚郆ƒ_ƒ„Œnv
•½¬17”N“x
@Ô–¼”ŽŽj@uRalph Ellison‚Ì
Invisible ManŒ¤‹†v
@ŽsŒ´–ƒ—R@u“Œ‹žƒfƒBƒYƒj[ƒ‰ƒ“ƒh‚͂Ȃº“ú–{l‚Él‹C‚ª‚ ‚é‚Ì‚©H||ƒAƒƒŠƒJ•¶‰»‚Æ“ú–{•¶‰»||v
@‹Ë“‡‰pŽq@u“ú•Ä‚s‚uƒRƒ}[ƒVƒƒƒ‹‚̈ùHƒV[ƒ“‚É‚¨‚¯‚é’j—‚Ì–ðŠ„‚Ì•ªÍv
@¬“‡–í¶@u‹žŽ ÝZŠO‘l‚Ì“ú–{ŠÏ||—ˆ“ú‘O‚Æ—ˆ“úŒã‚ð”äŠr‚µ‚Ä||v
@²“¡—F‹I@u‘ã—•êoŽY‚ð‚ß‚®‚é‹c˜_‚Æ¡Œã‚Ì•ûô||“ú–{‚ƃAƒƒŠƒJ||v
@’†‹—¢”ü@uJhumpa Lahiri‚Ì
The NamesakeŒ¤‹†||‰“‚´‚©‚邱‚ÆAŒ‹‚т‚‚±‚Æ||v
@¼–{‚©‚·‚Ý@uƒ}ƒtƒBƒAEƒtƒ@ƒ~ƒŠ[Œ¤‹†v
•½¬16”N“x
@‰¤–ìŒdŒå@uƒAƒtƒŠƒJŒnƒAƒƒŠƒJlƒAƒXƒŠ[ƒg@‚»‚ÌŽž‘ã‚ÆŽÐ‰ï`ƒWƒƒƒbƒL[Eƒƒrƒ“ƒ\ƒ“‚ƃ‚ƒnƒƒhEƒAƒŠ‚ð’†S‚É`v
@쌴‰€‰À@uZ‘¥‚É‚¨‚¯‚é“ú•Ä”äŠr||¶“k‚ɂƂÁ‚Ä‚æ‚è—Ç‚¢Z‘¥‚Æ‚Í||v
@•‰ª‰i’m@uƒAƒƒŠƒJ‚É‚¨‚¯‚ée‹K§–â‘èv
@‹{–{ˆŸ‹I@u
Do Androids Dream of Electric Sheep?˜_`ƒ_ƒuƒ‹‚Æ‚µ‚ẴfƒbƒJ[ƒh‚ƃCƒWƒhƒAFƒoƒEƒ“ƒeƒBƒnƒ“ƒ^[‚ƃXƒyƒVƒƒƒ‹`v
@‹g—¯Œ«@u“ú–{‚É‚¨‚¯‚éƒXƒgƒŠ[ƒgEƒ_ƒ“ƒX‚̈ړü‚ɂ‚¢‚Äv@@
@•Ä“cŒåŽq@uTupac Amaru ShakurŒ¤‹†v@@
•½¬15”N“x
@ŽO“‡OŽ÷@uƒAƒƒŠƒJ‚̃vƒƒXƒ|[ƒc‚É‚¨‚¯‚éƒXƒeƒŒƒIƒ^ƒCƒv‚ÌŒ¤‹†v
@‹g“c‰À‘ã@uAndy WarholŒ¤‹†`Œ»‘ãƒA[ƒg‚É—^‚¦‚½‰e‹¿‚ɂ‚¢‚Ä`v
@Œ˜“c’O—¢@uƒuƒbƒVƒ…‘å“—ÌA”CŒã‚̃AƒƒŠƒJEƒƒfƒBƒA‚̃Cƒ‰ƒN•ñ“¹`
New York TImes‚Æ
Washington Post‚ð’†S‚É`v
@óˆä¹’m@uPaul Auster‚Ì
The New York TrilogyŒ¤‹†||uˆÚ–¯v‚½‚¿‚ÌuV‚µ‚¢Šy‰€v||v
@Šâ‰ºŒb”ü@uNella Larsen‚Ì
PassingŒ¤‹†`uƒAƒƒŠƒJlv‚©u•lv‚©`v
@Ž›“cD@uŠÏŒõ•¶‰»‚ƉpŒêƒKƒCƒhƒuƒbƒN`–K“úŠO‘l—·sŽÒ‘‘å‚Ì‚½‚߂̉ۑè`v
•½¬14”N“x
@’‡›¸FO@uƒ†[ƒ‚ƒA‚©‚ç‚̃ƒbƒZ[ƒW||ƒ}[ƒNEƒgƒEƒFƒCƒ“Œ¤‹†||v
@’†“ˆ‹žŽq@uƒAƒƒŠƒJ‰f‰æ‚É‚¨‚¯‚éƒlƒCƒeƒBƒuEƒAƒƒŠƒJƒ“‘œv
@–kŒ´—TŽq@uƒXƒ^ƒ“ƒŠ[EƒLƒ…[ƒuƒŠƒbƒNŒ¤‹†||"‚Í‚´‚Ü"‚ðŒ©‚Â‚ß‚éƒŠá„||v
@•xŽR‹v”üŽq@uƒGƒ}ƒ\ƒ“‰Šúì•iŒ¤‹†||wŽ©‘R˜_x‚ð’†S‚ÉA||‚»‚ÌŽv‘z‚ÆŒ»‘ã‚É‚¨‚¯‚éˆÓ‹`||v
•½¬13”N“x
@ˆÉ“¡—ÇŽq@u“úŒnƒAƒƒŠƒJl`—ðŽj‚Æ“ú–{‚ÌŽ‹“_‚©‚猩‚½ê‡`v
@‘¾”’—zŽq@uAlice Walker‚ÌThe Color Purple˜_`texture,
text‚É–a‚ª‚ꂽ—«‚Ì‘n‘¢—Í`v
@ŠŽR‘P‹K@uƒAƒƒŠƒJ‚̃xƒgƒiƒ€í‘ˆ•\Œ»‚ÉŠÖ‚·‚éˆêlŽ@v
@“¡ˆä’qG@u“ú–{‚̃WƒƒƒY‚Æ“ú•Ä•¶‰»Œð—¬v
•½¬12”N“x
@’©–ì”ü—¢@uƒAƒƒŠƒJ•l•¶‰»‚Ì•\Œ»•û–@||‘¦‹»«‚ð’†S‚É||v
@–Ø“c—LŽq@u“úŒnƒAƒƒŠƒJl‚̃Cƒ[ƒW‚̕ϑJv
@’[ŽõŽq@uƒAƒƒŠƒJ‚ÌSAT‚É‚¨‚¯‚é”–â‘èv
@Œº¹ˆ¤@uŠØ‘ŒnƒAƒƒŠƒJlv
@Ζ{‘@uƒŒƒCƒ‚ƒ“ƒhEƒJ[ƒ”ƒ@[˜_v
@Š™“c–ƒ—Žq@u1990”N‘ãƒAƒƒŠƒJ‚ÌlŽíˆÓޝ|ƒAƒƒŠƒJ‰f‰æ‚ð’†S‚É|v
@‹g“cŒb—@uƒAƒƒŠƒJ‚̃Xƒ|[ƒc‚É‚¨‚¯‚é•lv
@’£y‹@uŠØ‘ŒnƒAƒƒŠƒJlv
‘‡‰ÈŠw•”‘‡‰ÈŠw‰È
•½¬11”N“x
@‚‹´“s@ueŽÐ‰ïƒAƒƒŠƒJv
@•“c’m‰p@uƒAƒƒŠƒJ‚É‚¨‚¯‚é”\—͕ʃNƒ‰ƒX•Ò¬‚ɂ‚¢‚Äv
@’†‘ºˆ»@uƒAƒƒŠƒJ•l‰¹Šy||—ðŽj‚ÆŒ»ó‚Æ‚»‚̉”\«v
•½¬10”N“x
@‹e’r”ü’qŽq@uˆÙ•¶‰»ŠÔƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“||“ú•ăRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ƒMƒƒƒbƒv‚ɂ‚¢‚Ä||v
@ŠÝ‰Y—R‰À@uƒAƒƒŠƒJ‚É‚¨‚¯‚éƒAƒtƒ@[ƒ}ƒeƒBƒuEƒAƒNƒVƒ‡ƒ“||”†RÙ”»‚ɂ݂élŽí–â‘è‚Æ—‚ß‚Ä||v
@‚Š_’mŒb”ü@uƒAƒƒŠƒJ•l—«‚̃Cƒ[ƒW||u•—‚Æ‹¤‚ɋނè‚Êv‚ð’†S‚É||v
@’Ò”Ž”ü@u“úŒnƒAƒƒŠƒJlˆê¢A“ñ¢AŽO¢‚Ì•¶‰»“IƒAƒCƒfƒ“ƒeƒBƒeƒB||ˆÓޝ–â‘è‚Æ•¶‰»•Ï—e||v
@V“c‰À“ÞŽq@uƒXƒpƒCƒNEƒŠ[˜_||lŽíE–¯‘°–â‘è‚Æ’†S‚Év
@‹{–{K”ü@uƒAƒtƒ@[ƒ}ƒeƒBƒuEƒAƒNƒVƒ‡ƒ“v
•½¬‚X”N“x
@ˆ¢•”“N“T@u¬àw•—‚̉̂𒮂¯x‚É‚¨‚¯‚éƒAƒCƒƒj[||ƒfƒŒƒNEƒn[ƒgƒtƒB[ƒ‹ƒh‚ð’†S‚É||v
@™“cŒb¢@uwƒ‰ƒC”ž”¨‚ł‚©‚Ü‚¦‚Äx||ŽålŒö‚Ɠǎ҂̃CƒjƒVƒG[ƒVƒ‡ƒ“‚ɂ‚¢‚Ä||v
•½¬‚W”N“x
@ˆÀ‘î‹IŽq@uUrsula K. Le Guin‚ÌwƒQƒhí‹L‚PEu‰e‚Æ‚Ìí‚¢x˜_||Œ©‚¦‚颊E‚ÆŒ©‚¦‚È‚¢¢ŠEv
•½¬‚V”N“x
@Ä“¡—L‹I@uŒ¿‚É‚¨‚¯‚锂̈Ӗ¡v